Persuasion: History, Theory, Practice is a class in rhetoric and critical thinking. This website is the interface to the class.
Persuasion: is a synthesis and extension (a modernization) of classical rhetorical lore, primarily although not exclusively Plato and Aristotle. The book's goal is to give you a lexicon for discussing, thinking about, and performing rhetorical acts. We will read it semi-linearly, skipping a few sections entirely because it is too big for one semester.
You can read the book online through our library for free. Just remember if you download it, others can't read it while you have it. There is also a physical copy in the library. If you want to buy a copy, our book store, Amazon, and the publisher have copies.
Before the book I had a website. Every semester I added content. A few years ago, the Senior Editor for Hackett Publishing stopped by to chat about their book catalogue. I showed her my website and she said it would make a good book. Since I had had many students say they loved the website but wished it was easier to print, and because I get no professional credit for websites, I accepted the offer.
The university pays me to do what I do. Books are like movies, the vast majority make no money at all. Persuasion is one of the vast majority.
I designed and wrote this website. My goal is to keep it simple. But "intuitive design" is just a marketing slogan, so here is a rundown. When you login, you will see the syllabus screen until after I grade the first assignment. After the first grade, you will be taken to the Grades screen on login. You can, of course, use the menu to see anything you want. Each menu item is discussed in detail below.
Each word links to another part of the website. Logout, obviously, logs you out. Please click it instead of just closing the browser tab or entering another URL. The system will time out without warning after an hour or so. Save your work on your own computer as well as on the system.
From the Profile screen you can tell the class who you are and what you are all about. The class profiles are visible under the More/Your Classmates tab on the menu. The image you upload will be what everyone sees when they view your profile. This image matters. If you want to change your password, you can click on the "Change your password" link at the bottom of the screen.
Once you start doing assignments, your grades and feedback from me are under the Grades tab.
If you have saved a draft, its title will be linked in the middle of the table. Click on that link and you can revise and edit your work. You can continue to edit a writing assignment until I grade it. When I grade an assignment, the grade (out of 100) will appear in the left hand column. If you click on that grade, you will be taken to my marked up version of your writing. My comments will be in [square brackets, bold]. I also highlight issues with grammar and punctuation and development. If you see a highlight like this, hover your mouse over it and you will see what I wanted to draw your attention to.
If you miss an assignment, you can access it via the links at the bottom of the screen.
The Assignments tab offers two different views of the same information. You can look at the current week's assignment (and click the link at the bottom of that screen to do it) or you can view all of the assignments week by week.
If you know HTML<P> new paragraph,
<I>italic</I>
<B>bold</B> and so on, you can hand code. You might want to write the assignment in a word processor and then copy and paste it in. The website times out after 60 minutes and thus you could lose your work if you haven't saved it before it times out.
If you haven't at least started and saved a draft of an assignment by the deadline, you will get 0 on that assignment. If, under extraordinary unforeseeable circumstances, you aren't done by the deadline but have at least started, you can keep revising from the Grades screen. However, tell me you need more time, else I will grade the draft.
I will grade late assignments but provide no feedback.
Under Resources drop down you will see links to Articles (things I've read I thought you might find interesting), Books (other books about rhetoric in various forms, with excerpts in many cases, to save you some time), and a different journal every time you login. Critical thinkers and persuasive writers read everything then can get their eyes on.
Read everything under the Writing tab!. This is advice about writing, a kind of 1101-1102 refesher course. You want to read it over several times. There are editing excercises that if you do them might improve your grade in all of your writing intensive classes.
The More tab drops down to reveal links to the GSU Library's digital copy of Persuasion: History, Theory, Practice, a glossary of rhetorical terms, a link called Your Class Mates that leads to your fellow classmates' profile and assignments if they shared them, and an email link to me, called Help!.
Weekly assignments make up 100% of final grade. Some weeks are more labor intensive than others. There is no final examination. Each week's work is due by 5 pm Sunday. Keep up. If you miss two assignments in a row without contacting me, I will drop you from the class. If you turn an assignment in late, I will accept it, but I may not provide feedback right away. If you do all of the assignments, you will almost certainly pass this class. If you want an A, you will have to work for it.
If you want an A in this class, your best strategy is to write a draft with 3 times the recommended word count and then hone it down to the recommendation or more. More than 500 words will likely do better than less, but 100 words of padding reduced a grade more than 400 words with no padding. Meeting the word count is irrelevant. Your goal is to answer all of your reader's questions in advance. Make sure you introduce what you are going to write about and why you are writing about it (because I assigned it doesn't count). You may want a conclusion as well, though that might just be a sentence. Finally, make sure there are no grammar or punctuation mistakes. Revise, edit, edit again. Focus on clarity and brevityDon't use 3 words when 1 will do
Use subject - verb - object word order almost exclusively
Favor active voice
Use verbs instead of noun phrases
Don't start a sentence with "There"
Read about style in Persuasion.
More about editing. PROOFREAD one last time before you turn it in. You lose a couple % for each superficial error. Why? Well, not because I'm trying to flex on you. I'm dyslexic. Proofreading is excruciating for me. But I know that by insisting on details I'm insisting on your staying focused and conscientious and those two traits lead to better thinking and writing.
Rubric: Graded out of 100. Worth 5% of final grade. Fifty points for picking a piece of writing that can be read against the grain -- something argumentative rather than expository or journalistic. Plus two points for each apt [parenthetical question]. Arithmetically, that means you need at least 20 apt questions to get 100% on this assignment. But don't just count. Think. Is this a legitimate critique?
Rubric: Graded out of 100. Worth 5% of final grade. Ten points subtracted for each missing or mislabeled element.
Because this is a short assignment, when you are done, read the website section on writing. We will discuss it in class.
Rubric: Graded out of 100. Worth 5% of final grade. Make sure your short essay has a structure, an introduction, a couple paragraphs, and a conclusion. Get a definition wrong, - 10 points. Have no or broken structure, - 20 points. Two points subtracted for each grammar, punctuation, diction error.
Notice I said "look" and "sound" like a good person. I did not say "be a good person." Of course, it's best for the world and you if you actually are a good person, someone of good character, good sense, and good will. But the rhetorical fact is people won't believe you unless you seem (look and sound) like a good person. Appearances matter. Intentions don't.
Rubric: Graded out of 100. Worth 5% of final grade. Make sure your short essay has a structure, an introduction, at least a couple of paragraphs, and a conclusion. Get the definition wrong, - 20 points. Have no or broken structure, - 20 points. Two points subtracted for each grammar, punctuation, diction error.
Grading: Graded out of 100. Worth 5% of final grade. Make sure you provide an introductory paragraph in which you explain who you are talking to, on what occasion, for what purpose, and what your role is. Forget this paragraph, - 30 points. The subsequent paragraphs should demonstrate one of more of the three elements of a postive ethos, good sense, good will, and excellence. Place [in square brackets] at the end of each sentence which of the three elements of a positive ethos is covered by that sentence. If a given sentence doens't serve ethos, but has some other purpose, don't provide the [square brackets]. If a given sentence serves no clear purpose, delete it. Two points subtracted for each grammar, punctuation, diction error.
Rubric: Graded out of 100. Worth 5% of final grade. Make sure your short essay has a structure, an introduction, at least a couple of paragraphs, and a conclusion. Have no or broken structure, - 20 points. Two points subtracted for each grammar, punctuation, diction error.
Emotional appeals (Aristotle used the word pathos) are the form of arguments we encounter most often. Advertisements, for example, are almost always trying to push someone's buttons. If a given ad isn't aimed at you, you might notice what they are doing but if you are their target demographic, you might just feel what they want you to feel without noticing it happening. This isn't necessarily a bad thing. But knowing it can happen and paying attention are good things.
Below are some ads designed to push buttons.
Rubric: Graded out of 100. Worth 5% of final grade. Fifteen points deducted for choosing to differentiate "alone" from "lonely" -- it's too easy. Two points subtracted for each grammar, punctuation, diction error.
There are two parts to this assignment. The first regards the topics of the preferable that are on pages 138, 139, 140. Each is a generalized pattern of thought.
The first topic is what is scarcer is more valuable than what is abundant if value is the issue. A sentence that exemplifies that pattern might be, I'd pay $100 for an autographed copy of a book I wouldn't pay $10 for with no signature. The signed volume is much more rare than the unsigned volumes, right? So, it's worth more.
The second topic is what is abundant is better than what is scarce if the thing in question needs to be useful. Eg, If I was hiking the Appalachian trail, I'd rather have a jar of peanut butter than a tin of caviar. (Peanut butter is nutrient dense, far more calorically abundant than caviar [I'm assuming; I should Google that]) I'd be burning more than 5000 calories a day on the trail. And I'd have to carry everything I had. So, nutrient dense is better in that case.
The third topic:
What is more difficult is preferable to what is easier once it is accomplished. What gives a person a better sense of accomplishment, a 5 mile bike ride on the Silver Comet Trail or a 10 mile hike on the Appalachian trail? Well, I'd be proud of myself for accomplishing either, but given how much harder 10 miles walking on rough terrain is vs riding on a paved surface, I'd be prouder sitting down to my peanut butter sandwich at the end of 10 miles on the AT than at the end of a 5 mile bike ride. In other words, the harder something is, the more people feel good about accomplishing it. If it was easy, you wouldn't place much value in it at all.
For the assignment, try to come up with an example for each of the 35 topics. Some will seem so obvious as to require no example. Provide an example anyway. If the sentence you come up with seems to you self-explanatory, leave it at that. If you think I might not get it offer the explanation like I did above.
For a slightly different explanation of topics, look here.
Please number each topic. If you don't have an example, just write down the number and move on to the next one.
The second part of the assignment is to create a list of sentences out of the words listed in the indented paragraph on page 140. Those words are descent, money, friends, relatives, etc. Imagine you need to write a speech in praise of someone. You want everyone in the audience to think, wow this person is really great. What do you talk about. Well, according to rhetorical tradition you would consider what you could say using each of the words in the list.
Were they born with money or did they earn it? If born with it, then you would say something like growing up they had the best of everything but they never took anything for granted.
For friends you might say, at college they joined the #flb sorority. Or maybe, they made friends with everyone in their classes, the most promising and the least.
And so on.
You aren't writing the whole speech. Just an outline composed of single sentences that you would, presumably elaborate on when you gave the actual speech.
Rubric: Graded out of 100. Worth 5% of final grade. Since there are 35 topics of the preferable, let's say you get 2 points for each, assuming your example works. And you get 3 points for each of the topics of praise, so 10 correct sentences get's you 30 points.
Rubric: Graded out of 100. Worth 10% of final grade. To get 100%, you need to have 10 flawless examples. For each error in any set of Positive/ Neutral / Negative adjectives, - 5%. Thus the most you can loose for any set of three is 10%.
Rubric: Graded out of 100. Worth 5% of final grade. Make sure you have an in introductory and concluding paragraph (-10% for either missing). Two points subtracted for each grammar, punctuation, diction error.
Write a 500 or so word reflection on your experience in this class. List the things you learned. List the things covered in the book you wish we had written about. Comment on the assignments, on the website, on the book, the feedback you got. And anything else you would like me to know.
If you have any recommendations about this website, please include them.
Rubric: Graded out of 100. Worth 5% of final grade. Standard assessment measures apply.
George Pullman
If you are successful in this class, you will have learned how to
This class is asynchronous online. Keep up with the weekly assignments. Stay focused.
All assignments are evaluated by the same criteria: effective structure; a positive ethos; thoughtful ideas; careful selection of words; correct grammar and spelling. Word counts are merely suggested. You might want to use more or fewer words for any given piece of writing, but generally speaking more is better.
When you turn in an assignment via this website, I will read it "against the grain," put [comments] where I have a question or observation. I will color code grammar mistakes, but leave it to you to figure out how to fix them. The comments I tend to make are as follows, so you can avoid me having to ask them: [Warrant for this assertion?] [Evidence?] [What if I disagree?] [If I disagreed, how might I interpret this?] [Problematic diction] [Exaggeration.] [Preaching to the choir (trolling your opposition)] [Over generalization] [Specify] [Explain] [Give an example] [Too many words] [Convoluted sentence]
The letter scale and quality points used for assignments are below.
A+ 4.3 C+ 2.3
A 4.0 C 2.0
A- 3.7 C- 1.7
B+ 3.3 D 1.0
B 3.0 F 0
B- 2.7
According to the GSU Student Handbook
Your professor expects you to:
- Be informed about instructors' policies, which are presented in the course syllabus, as well as the policies of the Georgia State University on-campus Student Handbook.
- Attend all classes, except when emergencies arise. If health and weather allow, your instructor will be present and on time for every scheduled class meeting. You should be, too.
- Be an active participant in class, taking notes and asking appropriate questions. Your involvement will benefit you and your classmates.
- Treat the instructor and fellow students with courtesy. Refrain from any behaviors that may distract others. You expect to be treated with tolerance and respect and to enjoy a learning environment free of unnecessary distractions. Your classmates deserve the same.
- Cultivate effective study strategies. Being an effective student is not instinctive. Use your study time wisely, seek help from the instructor when you need it, and avail yourself of resources provided by the university.
- Study course material routinely after each meeting. Stick to a regular study schedule and avoid cramming. Submit finished assignments on time and do not postpone working on them.
- Accept the challenge of collegiate studying, thinking, and learning. Anticipate that the level and quantity of work in some courses will exceed your prior experiences. If you have significant responsibilities besides your studies, such as work and family, set realistic academic goals and schedules for yourself. Select an academic load whose work demands do not exceed your available time and energy.
- Let no temptation cause you to surrender your integrity.
This section is intended as a brief on motivation theory in general rather than as an effort to motivate you to do well in this class. Ultimately motivation comes from within, so if you want to do well, you will need to self-motivate. From a rhetorical perspective, if you need to motivate long-term behavioral change, in yourself or someone else, the information below will prove useful.
If you are going to succeed at learning something that takes time and effort to learn (the guitar, long distance running, Go or Chess, rhetoric or philosophy or a second or third language), where time is measured either in months of intense effort or years of sustained, high-level effort, you need 7 things: Desire, conviction, persistence, opportunity, sacrifice, a coach, and a plan.
1) Desire: you have to want it. Typically desire comes from identity and identification. If you think you were born to run marathons or read Homer in the original, success will be a more natural path because you will be affirming your identity by pursuing your goal. You will practice for hours on your own because doing so makes you feel more yourself than anything else does. In addition to feeling like a butterfly at larval stage, you need to have a vivid image of what kind of butterfly you desire to become. You need to identify with someone who already is: a hero, a mentor, a close family member. If you have no role model, you won't have a clear sense of how to be what it is you want to become, and thus your learning will lack focus down range. So get a role model. If you don't know one personally, imagine you do while you look around for a real one. Your imaginary role model might be a famous person who you want to meet and maybe even compete with some day.
2) Sacrifice: If you have a casual interest in something and you meet with immediate success, you may imagine you are "naturally" good at it and since being good at something is pleasant, you will likely continue, thinking that you have found your way to be. Early success, however, can be misleading. When you don't understand how something is done it looks easier than it is. Novices often confuse luck with skill and mistake a success for talent. The transition from novice to expert takes a long time, even for the gifted. Inevitably joy becomes work. Performance plateaus exist. Once you cease to improve, once you experience your first loss or setback, you have to decide whether to embrace the pain and frustration and the fear of failure or cut your losses and move on. You are more likely to embrace the pain if you can't imagine alternative ways of being. Thus, oddly enough, a lack of imagination, a one-track mind, can be crucial to success. But tunnel vision doesn't guarantee success. For every success there are many couldbes and wannabes toiling forever on the precipice. I think this existential dilemma, should I stay or should I go, is why so many people are content with good enough. To become great so often means giving up too much while risking getting nothing in return.
3) Conviction: you have to want to succeed, but you also have to believe you can succeed. Identity is critical here as well. If your identity is wrapped up in the pursuit of success, and your identity isn't fragile, you will focus intensely and test yourself without fear or hesitation because you fervently believe you will succeed in the end. A role model who seems to have come from circumstances like your own helps. "They did it; so can I." This is (partially) why entering the family business is a time honored form of education. And why poverty is so often inherited.
4) Persistence: for every person who succeeds at something difficult there are many who showed equal promise and desire who failed. You have to overcome performance plateaus, adversity, boredom, and compelling distractions. Don't confuse smart with quick. Learn to embrace tedium, frustration. Learn to question each apparent accomplishment and then raise the bar. Never settle. Never rest. Keep putting yourself out there. Fall, get up, fall again.
5) Opportunity: Among those who don't succeed are also the merely unlucky. Luck plays a far greater role in success than we care to believe. It isn't enough to be good; you need the opportunity to show someone whose attention matters how good you might get given the necessary resources and support. As someone once said, "no one remembers your name just for working hard."
6) A plan: low initial bar, measurable outcomes, near-term incremental goals on an unbounded path. If you wake up one day and your jeans don't fit and you say, I'm going to get fit, chances are you won't because the goal is vague (what's fit really mean?) and you don't have a plan (what do you do to get fit?). Even if you set a specific goal, lose 5 pounds, you still need a plan, a path to the goal. You will succeed if as you suck in your tummy and pull at your jeans you say, "Today I'm going to walk up three flights of stairs." If you do, and the next day you say, "I'm going to make a healthy low-call lunch and eat that instead of going out," and you also walk up three flights of stairs, you are on your way. Fewer calories, a few more flights, day by day. Drop a few pounds; get a bit stronger (5 flights of stairs). Once your jeans fit, set a new measurable goal that will help keep your jeans fitting.
7) A coach: timely, vivid feedback. A good coach won't let you fail but won't let you luxuriate in success either. He or she will always be encouraging and correcting you. Eventually you may internalize a restlessness, a deeply felt need for continual improvement. For high achievers, good is never good enough. Happy high achievers are inspired by that drive. Miserable high achievers are plagued by it. Focus on the process of improvement and let the outcome be what it will be.
This syllabus represents only a plan. Deviations may be necessary.